Andrei Nakov
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From the start of his work in the field of modern art, Andrei Nakov was interested in Dada and directed his research towards the production of the German artists in Hanover and Berlin: Kurt Schwitters, Raoul Hausmann, Hannah Hoech, Johannes Baader and Dada in Berlin in particular. At the end of the sixties, some of the artists who had taken an active part in the Dadaist adventure were still alive and it was thanks to them that the relationships established with the friends and families of Stephan and Franciska Themerson, Hans Richter, Schwitters, Baader, Picabia and others were the first direct sources in his work.

Frequent visits to the home of Hannah Hoech and long stays in Berlin for his work at the Nationalgalerie led to his discovery in that city in 1976 of the remainder of the archives of Johannes Baader (1875-1955). Saved from the brink of destruction, this ensemble, whose conservation required many years of work by the restorers at the Bibliothèque Nationale, included personal and artistic documents, unpublished texts, correspondence, etc. The collection was subsequently enriched with documents belonging to the artist's family as well as those from Baader's last stay in Bavaria.

They will be the subject of a future monograph.

A. Nakov has already published a number of texts on Dada (see Bibliography 1974, 1977, 1982, 1984, 1992, 1994 - text on Raoul Hausmann, 2005).

Affiche japonaise de l'exposition "Dada and constructivisme"

He organised two important exhibitions on Dada (London, 1984, and Japan-Spain in 1988 and 1989). In 1977 he also participated in the organisation of the Dada section of the "Tendenzen der Zwanzige Jahre" (Tendencies of the Twenties) presented in Berlin at the Nationalgalerie and the Akademie der Künste.

In 2005 he took part in the Dada exhibition at the Centre Georges Pompidou (see Bibliography, 2005).